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The Arms of Someone New |
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Discography |
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There's a bunch of material that was recorded prior to the release of the very first cassette, "Significant Others," that was not for public consumption. Wanna talk about lo-fi? That was lo-fi stuff. There's a rehearsal tape from around mid-1986 when Eberle and Jones teamed up with Mark Enloe (drums) and Bernie Proeschl (guitar) to play live (one memorable rehearsal involved Nick Rudd). |
Should anyone want to know, the initial recordings, up to and including "Burying the Carnival," were made by bouncing tracks back and forth between a Pioneer consumer reel-to-reel deck and a Sony stereo cassette deck in a smallish living room. From "Susan Sleepwalking" on recordings were made on a Tascam 244 cassette four-track usually in a hallway and closet. And "Promise" was recorded on a Fostex Model 80 reel-to-reel 8-track multitrack deck, synced to an Atari ST computer running Hybrid Arts' SMPTETrack software in a proper bedroom. |
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Track Listing |
Notes & Info |
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fil-32/WGNS-11A. |
A: (The Arms of Someone New) The Big Picture/The Far Cafe/Shadow/August/She Disappeared/Lady On Train/Summer Dress B:(The Lost Brigadeers) |
Who the heck were The Lost Brigadeers? And what did they sound like? Office never heard from them just prior to the release of this recording, and so it wasn't released, though it had been agreed upon. |
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On-Slaught #8 cassette magazine, released ? |
Letter Follows |
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Snapshot Radio audio magazine |
Falling Into Place |
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Testube Cassettezine, released ? |
Side By Side |
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Theatre of Ice compilation series, released ? |
Commons |
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Epitapes compilation series, released ? |
Slow Motion/Bleed |
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And finally... |
There's a bunch of material that was recorded prior to the release of the very first cassette, "Significant Others," that was not for public consumption. Wanna talk about lo-fi? That was lo-fi stuff. There's a rehearsal tape from around mid-1986 when Eberle and Jones teamed up with Mark Enloe (drums) and Bernie Proeschl (guitar) to play live (one memorable rehearsal involved Nick Rudd). Should anyone want to know, the initial recordings, up to
and including "Burying the Carnival," were made by bouncing
tracks back and forth between a Pioneer consumer
reel-to-reel deck and a Sony stereo cassette deck in a
smallish living room. From "Susan Sleepwalking" on
recordings were made on a Tascam 244 cassette four-track
usually in a hallway and closet. And "Promise" was recorded
on a Fostex Model 80 reel-to-reel 8-track multitrack deck,
synced to an Atari ST computer running Hybrid Arts'
SMPTETrack software in a proper bedroom. |
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contact: arms@info.comm.uic.edu

Link to Projekt
Records to purchase CDs by the Arms
of Someone New and Area